We are interested in poetry that enacts the artistic and creative precision of glass. We are not bound by any specific aesthetic; our only mission is to publish collections of high quality writing. All styles, forms and schools of poetry are welcome, though easy rhymes and "light" verse are less likely to inspire us. We like poems that show a careful understanding of language, music, passion and creativity. The best way to get to know our tastes is to purchase a copy of one (or more) of our chapbooks. Additionally, you can read the Glass: A Journal of Poetry archives or read a recent issue of The Indianola Review.

Our mission is to engage with the wider literary community. To do this, we are committed to publishing a variety of new, emerging and established voices. Further, we are committed to inclusion and equity in publishing. We highly encourage submissions from underrepresented voices. 

We read chapbook submissions in the month of March. 

In a new international study, life in the Arctic is at a perilous crossroads: "Some Arctic waters are already becoming dead zones bereft of oxygen. Lakes are collapsing as permafrost beneath them melts." While the president is going after NASA's climate researchers although they continue to publish and share their findings, the current U.S. administration has also taken words like ice and voice, and maligned them with xenophobic, hateful rhetoric.

Guest editor Rosebud Ben-Oni and Glass Poetry Press invite poets to take back these words, to tell us of their sensory of snow, their winter year(s), the depths and lengths of the times they were, or had to remain, under sheets frozen and partially-obscured. Tell us what you managed to grow in your tundras, what you discovered in the days where little light reached, where light was (is) cut short. What voices you hear in the ice. How it feels to stand on ground that could so easily melt away. We invite you to interpret this any way you like.

Submissions for this special issue of Glass: A Journal of Poetry will be considered from April 7, 2017 through May 31, 2017.

Tundras is scheduled for publication in September, 2017.

Glass does not charge any reading fees or hold any contests.

All submissions must come through our Submittable portal. No email or snail mail submissions will be accepted.

Submission replies will come from editor@glass-poetry.com. Please add this email to your safe email list to ensure that you receive our reply.

Our mission is to engage with the wider literary community. To do this, we are committed to publishing a variety of new, emerging and established voices. Further, we are committed to inclusion and equity in publishing. We highly encourage submissions from underrepresented voices.

Unfortunately, we are unable to pay you for your poems other than through publication. Accepted poems will be published on the Glass website in perpetuity.

Please submit 3-5 poems, any style, any length. Please include a cover letter and brief bio in the space provided by Submittable.

Simultaneous submissions are accepted and encouraged. Please add a note to your submission in Submittable as soon as possible if part of your submission is accepted by another publisher.

We do not accept previously published poems.

Manuscripts should be single spaced and written in a standard font and standard size (12 pt. Times New Roman) with standard (at least 1 inch) margins.

Do not include pictures with or within your manuscript.

If your work is accepted, we request First North American serial rights as well as the right to archive your work on our website and to use your work, with credit given to you as the author, for promotional purposes. Otherwise, upon publication, all rights revert back to the author under the condition that you will credit Glass: A Journal of Poetry as the original publisher should your work be reprinted.

Glass: A Journal of Poetry publishes reviews and interviews on a rolling basis. 

Glass is interested in reviews of poetry books, chapbooks and anthologies, with a preference for small and micro press publications and for works written by underprivileged voices. Reviews should generally be around 500 to 1,000 words (though we will make exceptions for strong pieces that fall outside of these parameters) and should represent a deep engagement with the text.

In addition to reviews of works published within the past 12 months, Glass is interested in reviews for our #tbt series that highlights small and micro press publications from 5+ years ago. Submissions for this series should be indicated as such in the cover letter.
Glass is interested in interviews with poets and editors, with a preference for emerging poets and poets/editors from marginalized communities. There is no length limit or content requirements for interviews, though they should engage in some way with the subject's work within the poetry community. Those interested in submitting an interview are not required to query beforehand but it is recommended (please send an email to editor@glass-poetry.com with the subject line "Interview Query").